Dirt

Virtually anything can be labeled as dirty; minds, thoughts, feelings, actions, behaviours, objects and beings.

So what is this mysterious omnipresent property that we call “dirt”? Say it out loud: D(the) IRT(earth). Also, in the Latin languages, from which nearly 60% of the English language is derived from, d’/de means “from or of”. In essence, something (from/of) Earth(ly).

While dirty might occasionally have a positive meaning, mainly due to being “raw”, it is overwhelmingly considered as something bad and to be avoided.

This is part of what Chris (Darren) Deojee (YouTube channel) refers to as “the alien mind” in his works;

I have found most Westerners have an alien mind: a visitor, firmly embedded in them. How do you know if this is you? Here are some questions that will quickly reveal the case: 

Do you 

A: like to visit nature (as compared to seamlessly experiencing yourself AS nature).

B: refer to ‘indigenous people’ without referring to yourself?

C: view the ‘earth’ (mud/soil etc) as being ‘dirty,’ or to be avoided, or not trodden on without ‘footwear’.

Where is one speaking/thinking from if this is the case?

These are not the behaviours of a native entity to this planet. I am NOT saying ‘an actual alien is in you’. I AM saying that your mind IS behaving like a visitor, a disembodied observer, an ‘alien’, if the above is true for you.”

More indepth here: http://www.masterdeojee.com/do-you-have-alien-mind-a-visitor-in-you/

Being Like Music

Music is something that defines humanity and is held in the highest regard, virtually anywhere and everywhere. Why is it so and what use is there in knowing that?

I believe it is because it affects us on all levels of being simultaneously. The building blocks of music are much like a spoken language and also highly mathematical in nature, which, consciously or unconsciously, appeals to the rational mind that craves for harmony and order.

For that it come alive, however, it needs emotional infusion. Whether it be by joy, sorrow, anger or love, something is born which both the performers and those who hear it can partake in and expand upon.

Still even more fundamentally, it connects, through the beats, rhythm and vibration, with our physical bodies, creating movement as if synchronising with our own heartbeat and grounding the experience.

Together, all of this has the potential to create what one might call a spiritual experience; weaving all aspects of being into a harmonious event that is greater than the sum of its parts. Everything is spiritual in essence, but without context and purpose something becomes mundane.

By studying and understanding something that so obviously works, we just might figure out how to apply its principles to other forms of communication and action, so that we might reach ourselves and others in an equally effective manner.